With a wide variety of oils available today, making your own soap is once again very inexpensive, and a good choice for those concerned about quality, health related benefits, and the environment.
Successful soap making today is a result of a much better understanding of chemistry, experience, and a wider variety of ingredients to choose from. Today's soaps are milder and better for skin thanks to the availability of vegetable and plant based oils.
Chemically speaking, soap is a salt. An acid and a base react with one another and are neutralized to form a salt or soap. A more basic explanation is: oils or fats combine with Sodium Hydroxide or “Lye” in a process called saponification to produce soap.
Hand made soap retains extra glycerin, known to soften the skin naturally. Glycerin is one of the best known humecants (attracts moisture to the skin). It is often extracted during the process of manufacturing commercially made soap, then sold as a valuable by-product. Natural ingredients are rarely used in commercially manufactured soap. If used at all, it is sparingly. One of the best advantages of making your own soap is that you are in charge of quality control. You decide which ingredients to use and how
much.
Animal versus Vegetable-based Soaps
- Originally, all soap was made from animal fats - mainly lard from pigs and tallow from cattle. It was readily available and at the time no one questioned the use of animal by-products. Over time, new oils were extracted from vegetables, grains and nuts providing an alternative to animal oils. Vegetable oil soaps are chemically superior and can be of higher quality than soaps made with animal fats. Vegetable oils are more readily absorbed by the skin while animal oils have been found to clog pores and aggravate
certain skin conditions, such as eczema.
Different soap making processes include:
- Cold Process Method: This process is widely used by home-based soap makers. The neutralization stage takes place during the moulding stage. Our kits follow this method.
- Semi-boiled Method: After the soap mixture traces, heat is added using a double-boiler to cause the soap to neutralize before being moulded.
- Full-boiled Method: This method is where all ingredients are prepared in one large container. Heat is added causing neutralization. Large commercial manufacturers use this method to achieve the by-product called glycerin.
- Transparent Soap: This soap is made clear by adding solvents such as alcohol to prevent crystals from forming as the soap cools. Transparent soap is often referred to as Glycerin Soap. However, this is a fallacy as glycerin is not needed to produce a clear or transparent soap. This soap can be drying to the skin.
- Melt and Pour Soap: Or also known a solid Glycerin blocks. Pure glycerin, animal or vegetable derived, is always liquid and can only be solidified by the addition of plastizer chemicals. To produce a foam, detergents are added. This method is simply making soap from soap and is more expensive than starting from scratch. Melt and pour soaps may have natural ingredients added to them but they are synthetically based.
Natural hand-made soap is not difficult to make, once you understand the basics. You can make a batch of soap in as little as one hour, depending on the formula.
The following is the basic formula for making all soap:
Fatty acid (oil) + Base (lye) = “A Salt” (soap)
The oil or fat is heated gently. Lye and water are combined separately. When both ingredients reach the required temperature, they are combined. When the mixture becomes the desired consistency, it is poured into a mould. The bars are then removed from the mould after setting up (approximately 24 to 48 hours). They are restacked and allowed to “cure” or dry until hard.
This can take anywhere from 3 to 8 weeks depending on the formula.
The cold process of making
soap involves mixing a combination of fats
(natural oils) with a lye solution until a process of saponification takes
place. Saponification is a chemical process which converts a fat into a soap by
reaction with an alkali (lye). Each fat has a saponification value which
measures the amount of lye necessary to saponify one gram of fat. The amounts of
the fats, along with their saponification values, are inserted into a
mathematical formula that will give the total amount of lye needed to saponify a
batch of soap. You can use the old method of figuring -
6 ounces of lye to 2.5 cups of water +
13
3/4 lbs. of fat
or use the Lye
Calculator at the Majestic Mountain Sage website to calcuate the lye
fat and water formulations.
Just about any fat or combination of fats can be used. The qualities of the
soap, such as hardness or softness, amount of lather, and whether it is harsh or
mild, are determined by the types of fats used. Once the saponification process
has begun to take place, at trace (the point at which a line begins to form when
stirring the mixture) the soap is poured into molds and allowed to solidify.
Once the soap has solidified (after a couple of days), the soap is sliced into
individual bars and set aside to cure. The curing process generally takes up to
6 weeks.
A preservative is defined as something that protects against decomposition. However, nature has its own agenda and decay is inevitable. There are no preservatives, synthetic or natural, that can completely stop this process — they can only slow it down.
Oxidation occurs within fats/oils which causes rancidity and spoilage to occur. Carrot oil, Vitamin E oil, and Grapefruit Seed Extract are three natural preservatives that are recommended. They contain powerful anti-oxidants such as
vitamin A, E and C, which can help prevent spoilage.
Soap Making Supplies Needed:
- Oils (fats) - the other ingredient you
will need can also be purchased in the grocery store. I make most of my soap
from 100% lard and purchase it in 1 lb blocks. If you plan on making lots of
soap, there are cheaper ways of getting lard, however. One possibility is the
big boxes used by restaurant or bakery stores. Ask them where they get it and
more than likely their supplier will also sell it to you. Several other oils and
fats can be purchased in the grocery store as well, such as corn oil, Canola
oil, safflower oil, sunflower oil, olive oil and shortening. And don't forget
the fully hydrolized vegetable oils used for deep frying foods at fast food
joints. This fat makes excellent soap that won't go rancid even after long
storage! Coconut oil can often be purchased locally as it's the same fat used in
popcorn poppers used at the movies. You will have to settle for yellow soap,
however, as this source only supplies yellow dyed coconut oil. Several of the
exotic soap making oils have very short shelf lives. I would suggest you
purchase fats and oils that have a long storage life if you are planning on
putting them away for future soap making projects.
- Caustic Soda (lye) - can be found in some
grocery or hardware stores but it's getting more difficult to find. You will
generally find it in the cleaning section with the drain clearing products.
Before you buy it, read the label and insure it says, 100% pure powdered or
crystal sodium hydroxide. You don't want any additives in it.
- Borax - Look for The 20-Mule Team box. This is 100% pure borax and is
many times cheaper than purchasing a small box of some other brand from a
specialty house.
- Distilled Water
- Newspaper
- Safety Glasses or Goggles
- Rubber or Plastic Gloves
- Scale
- Glass Jar
- 1 Lye Pitcher (plastic), it's best to mark this
pitcher because you'll only want to use it for lye water
- Long-handled Wooden Spoon
- 2 Thermometers (one for oils and one for lye
water)
- Stainless Steel Soap Pot (do not use aluminum
pot)
- Mold, Plastic or Wooden Container
- Insulating Materials (blankets work well)
- Freezer or Butcher Paper
- Fragrance or Essential Oils
- Colorant
Generally, you can use just about any type of plastic, wood, or cardboard as a soap mould. Do not use tin, aluminum, Teflon, or copper as they react with the lye. Candy and candle moulds may work well, too. If you want something simple, choose a square or rectangular container and cut the bars to size after your soap has set. Cardboard milk or juice containers work well as they are coated with wax. To make round soaps try recycling a plastic bottle. Using an empty, clean, plastic pop or round shampoo bottle,
carefully slice the sides of the bottle lengthwise. Tape sides using plastic packing tape to prevent leakage. Pour the soap mixture and let set for required amount of time. Peel tape back and release your soap, then cut the bars to a desired size. Set to cure as usual.
If you are having trouble getting your soap to release from the mould, try placing it in the freezer for two hours. This will cause the soap mixture to shrink from the sides and make removal easier.
To help with release, use vegetable shortening to grease your moulds. Cardboard or wooden moulds require a combination of waxed paper or freezer paper and vegetable shortening.
Tip: Line your moulds with brown freezer or butcher’s paper. Apply some vegetable shortening to the inside surfaces of your mould, lay in some freezer paper, shiny side up, and trim to fit. After removal, simply peel off the paper from your soap block the next day.
Caution
- Hazardous Materials!
- Soap making is not recommended for children because of the potential danger that lye poses.
- Carefully read the warning label on the lye bottle. Lye is also known as caustic soda (sodium hydroxide)
- Use only pure lye granules — do not make the mistake of substituting drain cleaner. It contains other ingredients that you would not want in your soap.
- Be sure to keep the lid tight on the bottle of lye. Moisture in the air will weaken its strength
and cause it to form lumps.
- Lye can be fatal if swallowed.
- Always wear rubber gloves and protective clothing, such as a long sleeved shirt and shielding eyewear when working with lye.
- Be sure to work in a well-ventilated area. Vapours released from the lye when it is first mixed with water are quite noxious, and can greatly irritate the lungs.
- Always have a bottle of vinegar close at hand. Vinegar will help neutralize the lye/water mixture if it happens to splatter on your skin.
- Lye can remove paint, so be careful not to let it come in contact with any painted surfaces. If lye, lye/water or even freshly made soap splatters on any painted surface, wash the area quickly with water and detergent. Rinse with clear water and wipe dry.
- Freshly made soap can burn and irritate the skin, therefore it’s best not to handle soap with bare hands for at least 48 hours. If your skin does come into contact with fresh soap, rinse your skin with vinegar immediately, then
rinse with running water.
- Do not use any containers made of tin, zinc or aluminum. Lye will react with them.
- Recommended containers for mixing your soap include glass, plastic, stainless steel, enamel, and heat proof stoneware.
Remember to add all optional ingredients after your soap has traced.
Essential Oils are defined as: "Highly concentrated essences extracted from portions of the plant." They have been valued and used throughout history for their therapeutic and scent qualities. You can add a wide variety of essential oils to your soap as long as they are considered safe. Essential oils are highly concentrated and are extremely powerful. Some are beneficial while others can be harmful. It is best to research
an oil before using it to:
- Determine the safety of the oil, and
- Ensure that the oil(s) are compatible with your body type.
For the soap maker, the only oils that have a habit of causing some problems (if added in high volume) are the citrus oils. They can disrupt the soap making process causing the soap to curdle. Limit these oils to no more than 2 tablespoons (30ml) per 700g (1
1/2 lb.) batch.
Blending for scent qualities: Many scents today are the direct result of scent characteristics present in nature. When it comes to blending a scent there are three main scent classifications or "notes": top, middle, and base. The top note is the odour that is immediately perceived, generally uplifting and stimulating; i.e. orange. The middle note, or modifier, provides full, solid character to the scent. Clary Sage and Marjoram are often selected as middle notes. The base note, or end note,
adds depth to a blend. It becomes apparent when the top and middle notes have faded and the last volatile components remain. Clove and Sandalwood are common base notes.
A general guideline for scenting your soap using top, middle, and base notes is:
- Top notes require 15 to 20 ml ( 3 - 4 tsp.) of essential oil per 700
gram (1 1/2 lb.) batch.
- Middle notes use 5 to 10ml (1 - 2 tsp.) of essential oil per 700 gram
(1 1/2 lb.) batch.
- Base notes use 2.5 to 5ml (1/2 - 1 tsp.) per per 700 gram (1 1/2 lb.) batch..
- Top notes require 15 to 20 ml ( 3 - 4 tsp.) of essential oil per 700
gram (1 1/2 lb.) batch.
- Middle notes use 5 to 10ml (1 - 2 tsp.) of essential oil per 700 gram
(1 1/2 lb.) batch.
- Base notes use 2.5 to 5ml (1/2 - 1 tsp.) per per 700 gram (1 1/2 lb.) batch.
|
Top Notes
| Middle Notes
| Base Notes
|
Mandarin
| Tea Tree
| Clove
|
Bergamot
| Clary Sage
| Cinnamon
|
Grapefruit
| Anise
|
Oakmoss
|
Lemon/Lime/Orange
| Rosewood/Rosemary
| Cedarwood
|
Peppermint
| Geranium
| Sandalwood
|
Spearmint
| Lavender
| Patchouli
|
| Rose/Jasmine
| Black Pepper |
|
- Calendula (chopped or ground flower petals)- retains its yellow
color nicely
- Chamomile Flowers - You can also make tea
from it and use it in place of your water
- Coffee Grounds
- Eucalyptus
Leaves (ground – can be a bit scratchy if not ground finely enough)
- Lavender
Buds - Grind them up a bit or they tend to look like mouse droppings (they turn
brown in cold process soap)
- Loofah - either whole, sliced or ground - popular in
melt-n-pour
- Oatmeal - different amounts of grinding give different
effects
- Patchouli- Can be a little scratchy - but smells
amazing!
- Peppermint - Be careful of "botanical bleed"
- Poppy
Seeds - probably my overall favorite exfoliant!
- Pumice
- Rose
Hips (not the seeds) (finely ground) - great for color and for scrub
- Rose
Petals - nice scrub, but remember they do turn black
- Sandalwood powder
-(makes a really lovely purple color, but very scratchy)
- Spearmint - Again,
beware the "botanical bleed"
- Tea
leaves - Will likewise bleed
|
Scenting your soaps is a personal choice and individual tastes will vary.
It s best to add a fixative to your soap if you are adding essential oils. Common fixatives
are:
- Orris Root - The most readily available and the one that
has been used with the greatest amount of success. Orris Root powder acts as a "glue" for the scent. Adding 1/2 tsp of Orris Root powder per 700
gram (1 1/2 lb.) batch. Powdered root adds a refreshing scent to linen, dried root can be chewed to
freshen breath and is a popular potpourri fixative. The fragrance is delicate
and unique. Also used as a base for dry shampoos, toothpowders and face masks as
well as perfumery. Orris Root used to be a popular flavor in candies in
Victorian times. It is still widely used in cosmetics. The powdered root is
excellent for brushing your teeth. It is an important ingredient in
perfumery. Note - Orris Root must not be used if you are labeling
your product as being hypo - allergenic!
- Gum Benzoin - In some old recipes this may be referred to as benjamin.
The balsamic resin from the leaves, bark and roots of the plant
Styrax benzoin has been used for centuries as an antiseptic, bacteriacide,
incense and perfume. Benzoin Gum is gelatinous when wet, and small, hard,
water-soluble granules when dried. It is used as a preservative in creams and
ointments, and as a fixative for fragrances in soaps. It is also used to treat
minor cuts and dry, irritated skin. It is an antiseptic, antioxidant, deodorant
and astringent.
- Calamus Powder - Sweet flag produces the root which is then ground and dried.
- Coumarin - The leaves of this plant added to a pot-pourri will help to fix the
scents of other flowers.
- Sandalwood - Chips or powder will fix other scents. It will also add the smell of sandalwood itself.
Here are Color Ingredient options, and the color they impart
- Remember that dried plant material must be infused in warm oil, and then the colored oil is added to the soap mix at trace.
|
- Alfalfa – medium green
- Alkanet – steep in oil first - deep purple to muted blue
- Annatto Seed – steep in oil first - yellow orange
- Beet Root – muted pink to red
- Ground Calendula Petals - yellow
- Carrots, shredded or ground - yellow to orange
- Ground Chamomile – yellow-beige
- Chlorophyll - medium greens
- Cinnamon - tan to brown – can be an irritant
- Clays (rhassoul, kaolin, bentonite, pink, red moroccan, french green etc.)
- Cloves, ground – brown
- Cochineal powder– deep red
- Cocoa powder– brown
- Coffee/coffee grounds - brown to black
- Comfrey Root – light milky brown
- Cucumber – bright green
- Curry powder - yellow
- Elderberries – steep in lye solution – light brown
- Henna, ground - olive to deep drab green - brown
- Indigo root - deep blues - caution, can stain
|
- Kaolin Clay - white
- Kelp/seaweed - green
- Madder root - rosy red - purple
- Milk (goats or cow's) - tan to brown, depending upon sugar & fat content
- Morrocan Red Clay - Brick Red
- Paprika – light peach to salmon - can be an irritant
- Poppy Seeds - Blue-grey to light black specks
- Pumice, ground - grey
- Pumpkin, pureed - lovely deep orange
- Rattanjot – lavender to purple
- Rose Pink Clay - Brick red
- Rosehip seeds, ground - light tan to deep brown
- Safflower Petals- yellow to deep orange
- Saffron - yellows
- Sage - green
- Spinach – light green
- Spirulina/Blue-Green Algae – blue-green
- Titanium Dioxide- bright white
- Tumeric – gold to amber
|
Here are some more color ingredient options, and the color they impart
- Remember that dried plant material must be infused in warm oil, and the colored oil is then
added to the soap mix at trace. |
Herb/spice common name Botanical
name
|
Part/form used
|
Colour
|
Usage ratio
|
Alkanet root Alcanna tintoria
| Dried root (infused in oil)
| Mauve/lavender, fading to grey
|
|
Annatto seeds Bixa orellana
| Dried seeds (infused in oil)
| Yellow to orange
|
|
Calendula Calendula officinalis
| Petals only
| Yellow or orange
|
4 ts per lb
|
Chlorophyll Blue Algae
| Industrially made liquid
| Green, fading to grey
|
4 ts per lb
|
Cinnamon, cassia Cinnamomum zeylanicum, C.
cassia
| Powdered bark
| Pale to medium brown
|
1 ts per lb
|
Cocoa Theobroma cacao
| Powder
| Brown
|
3 ts per lb
|
Comfrey root Symphytum officinale
| Powdered root
| Light brown
|
2 ts per lb
|
Dark (bitter) chocolate n/a
| Blocks
| Brown
|
1 oz per lb
|
Henna Lawsonia alba
| Powdered leaves
| Murky green
|
1 ts per lb
|
Honey n/a
| n/a
| Pale ivory to medium brown
|
1 oz per lb
|
Kelp (sea weed) Fucus vesciculosus
| Dried plant
| Murky green
|
2 ts per lb
|
Madder root Rubia tintorum
| Powdered root
| Pink
|
1 ts per lb
|
Mints Mentha piperita, M. spicata, M.
arvensis
| Crushed or powdered leaves
| Green, fading to grey
|
4 ts per lb
|
Paprika (sweet) Capsicum annuum
| Powdered fruit (seedless pod)
| Pale to medium pink/orange
|
1 ts per lb
|
Parsley Petroselinum, Carum petroselinum
| Crushed or powdered leaves
| Green, fading to grey
|
4 ts per lb
|
Poppy seeds Papaver spp.
| Seeds
| Black "dots"
|
4 ts per lb
|
Rose hips Rosa rubiginosa, Rosa spp.
| Powdered hips
| Reddish tan
|
1 1/2 ts per lb
|
Saffron Crocus sativus
| Dried stamina or stigma
| Yellow
|
1/10 ts per lb
|
Spirulina (fresh water algae) Spirulina
| Industrially made powder or tablets
| Murky green
|
2 ts per lb
|
Stinging nettle Urtica dioica
| Crushed or powdered leaves
| Green, fading to grey
|
4 ts per lb
|
Turmeric Curcuma longa
| Powdered rhizome
| Ochre yellow
|
2 ts per lb |
Caution: It's important to do
some simple tests before adding herbs or additives to your
soap.
There are three tests for natural colorants:
- A lye test - test how your colorant will react to the lye,
dissolve about a tablespoon of lye into a half cup of water. Stir until the lye
is completely dissolved and let it cool. Slowly add some of the plant material.
You don’t need to use much – perhaps ¼ teaspoon of powdered colorant, or a few
leaves of a fresh.
- An oil test
- If you're going to add the color to the oil, you can either add it at the
beginning to the oils, or at the end, at trace. Either way seems to work about
the same. Heat up about 4 ounces of oil. (I prefer to use
coconut oil or lard so that I know that the oil is not imparting any color to
the final results.) Add your colorant as before, and let it steep. Check back in
a few hours and again after about 24.
- Soap test - After you’ve tested the colorant in both the lye and
oil, you should be ready to try it in a small batch of soap. Depending on
whether the colorant acted better in the lye or the oil will determine when you
add it to the mix. Some plant materials work better when steeped in the lye
solution, others work better when added at trace.
There is no hard and fast rule for how much of each colorant to
add to your soap. Different plants have stronger coloring abilities, as well as
each person's tastes in being different. When testing out a recipe -
start with 1 tsp. of colorant for each pound of oils in your recipe. Then, based
on those results, adjust the amount from there. If you're going to steep
the colorant in the lye water, mix your lye-water first, then add the color. Let
it steep for a few minutes - or a few hours if necessary. Then using this
colored lye-water, make your soap.
TAKE NOTES - how much of the colorant you used, when you
added it, how it reacted in the soap. Your memory may be good now, but several
months from now, when you want to duplicate your wonderful results, you'll be
grateful for those notes.
- To soften the rough outer surface of your soap, buff your bars with an abrasive cloth or piece of pure wool. You may have some bumps and lumps that can be removed easily with a knife. For a simple and quick design, take a small, serrated paring knife and shave off a thin layer of soap on one side. This will leave a wavy line, symbolizing water.
- A simple way to decorate and wrap your soap is to use a piece of paper or cloth as a band around the soap. Allow approximately 1/2” of soap exposure on either side. It’s nice to see and smell your hand-made soap. Try paper bags, cloth remnants, postcards, or old greeting cards.
- Personalize your bars with the person’s name on the label. “Suds for Bud”, “Barbara’s Beauty Bar”. Make guest soaps for a wedding with the bride and groom’s names and date. Make great stocking stuffers or basket fillers. How about candy cane (peppermint essential oil) scented liquid soap?
- For an elaborate monogram, use a separate, smaller mould in the shape of a letter or design — choose a dark shade of soap for this technique. When your letter or design soap is set, remove it from its mould and place it upside down at the bottom of a larger mould. Then pour white or light coloured soap over the object and let it set. When the two have set together, carefully remove from the mould and polish.
You can test your soap for excess lye by applying a few drops of Phenolphthalein, a colourless, clear liquid. This chemical will turn pink or fuchsia in the presence of an alkali or an excess of lye. Soap that is to be used on the skin should be in the range of 7 to 9.5.
It’s the degree of pink that determines how alkaline your soap is. If a drop applied to the middle of a soap cutting turns deep pink or fuchsia then the soap should not be used on the skin. This soap however is great for the house and or laundry. If the drop stays clear or turns just the lightest shade of transparent pink then your soap should be fine.
If your soap was left uncovered while in the mould then the white chalk-like substance on the surface (soda ash) will also test alkaline. This can be trimmed off or avoided by applying plastic wrap to the surface right after pouring your soap into the mould.
Carefully read the sections on Caution, and Soap making: the procedure before beginning. One of the most common mistakes soap makers make is not weighing the ingredients carefully. This is a crucial step. Make sure you use an accurate digital scale to weigh your oils and your Lye.
Within 1/2 hour of pouring your soap into the mould you should notice it becoming hotter and turning dark in the middle. It can become quite dark and somewhat transparent. Bubbles may also come to the surface. This is a sign that your soap is properly neutralizing. It should stay hot like this for several hours before cooling and becoming light in colour again. Soap that is not properly insulated, cooled too much during tracing, poured into too small a mould, or with initial temperatures too low may not completely
neutralize.
- Step 1 - Select a soap making recipe and read through all steps carefully before
starting. Assemble all ingredients and equipment making sure that all equipment
meets the above requirements. Use of the wrong equipment can cause soap to not
saponify properly.
- Step 2 - Cover a large, flat
surface and surrounding floor area with several layers of newspaper.
- Step 3 - If using a wooden
soap mold, line the mold with butcher paper making sure there are as few
wrinkles as possible to prevent creases from forming on the soap. If using a
plastic soap mold, spray with vegetable oil.
- Step 4 - Put on safety
equipment (goggles and rubber gloves).
- Step 5 - Weigh out the
required amount of lye into the glass jar. Do this by placing the empty glass
jar on the scale and adjust the scale back to zero to prevent weighing the jar
then add the required amount of lye. Set the glass jar full of lye aside.
- Step 6 - Weigh out the
required amount of water into the plastic pitcher the same way the lye was
measured.
- Step 7 - Carefully, pour the
lye from the glass jar into the pitcher of distilled water. Never pour water
into lye as this can cause the solution to splash up and out of the pitcher. If
the solution does come into contact with the skin, rinse the area with vinegar
and then running water. If the lye splashes into the eyes, immediately follow
the manufacturer's directions on the lye container. Lye is a caustic soda and
can be fatal if swallowed. Always keep lye out of the reach of children and
pets. When working with lye make sure to wear protective eye wear and clothing.
Be careful not to breathe in any lye crystals as they can cause serious burns.
- Step 8 - Using a wooden spoon,
gently stir the lye solution until all the lye is dissolved. If lye crystals are
not dissolved completely, chunks of lye can be left in the finished soap.
- Step 9 - The lye solution will
immediately begin to heat up and the pitcher will become very hot. It will take
the solution several hours to cool. Insert a thermometer into the solution, so
that you can watch the temperature lower. It will need to cooled to a
temperature of 100 degrees F.
- Step 10 - At the same time you
are getting the lye solution cooled to 100 degrees F, the fats will need to be
prepared. Place all measured fats (measured the same way as the lye) into a
stainless steel melting pot and heat over low until the fats are melted. Insert
the other thermometer into the melted fats and heat until they are 100 degrees
F. If they are heated above this temperature, they will need to be cooled down.
- Step 11 - Remove your
stainless steel pot from the burner and slowly pour the lye solution into the
fats, stirring constantly with a wooden spoon. Make sure that you are still
wearing your protective eye wear and gloves.
- Step 12 - Continue stirring
the mixture until it begins to "trace". This process can take anywhere from 20
minutes up to 90 minutes. Trace means that the mixture is thick enough that when
drizzled from the wooden spoon onto the surface, that it will leave a visible
trail before it disappears.
- Step 13 - Add scents and
colorants to the mixture (do not add before it starts to trace). Using the
wooden spoon, gently stir to evenly distribute the fragrance and color. The use
of a stick blender works well for mixing colorants, however, it will speed up
the amount of time it takes for the mixture to trace.
- Step 14 - Immediately pour the
mixture into the prepared mold and place a blanket over the top. This will keep
the soap at a more even temperature as it hardens and begins to cure.
- Step 15 - Place the mold in a
draft free area and allow to cool until solidified (a minimum of 24 hours and up
to 48 hours).
- Step 16 - After the initial 24
to 48 hours, remove the blanket from the top of the mold. Test the soap with
your fingers to see if it firm. If it isn't, allow it to sit in the covered mold
for 24 more hours.
- Step 17 - Once firm, remove
the soap from the mold and peel away the butcher paper.
- Step 18 - Place the soap onto
a large cutting board and using a sharp kitchen knife, slice the soap into
individual bars.
- Step 19 - Place the bars on a
cooling rack and allow to cure for five to six weeks (the length of time for
curing allows for all of the lye and fats to become completely saponified).
After the soap has completely cured, it is ready to be used.
Handmilling or rebatching soap after unmoulding is done to achieve greater medicinal benefits from ingredients like herbs and essential oils, to increase colour intensity, and to change the shape and texture of the soap.
Rebatching can be done after unmoulding by grating or chopping a soap bar and using water to melt it. As a general rule, combine one cup of grated soap to 1/4 cup of water or herbal infusion. Heat in a double boiler or use a glass Pyrex container to microwave. Heat gently, stirring constantly to help break down soap pieces and evaporate the water. Continue until all water has evaporated. Remove from heat and add optional ingredients i.e.: herbs, spices, grains, essential oils, creams or lotions, or carrier
oils such as jojoba or shea butter.
Because of the moisture content of a natural liquid soap, they can be susceptible to rancidity. Keep your liquid soap in a cool dry place and in an air tight bottle, preferably with a pump or flip top to dispense your soap.
- Follow the procedure for making soap as specified in the formula, with one exception — no curing time.
- After you have removed your soap from a simple mould, shave, shred or chop the soap into small pieces.
- Place one cup of shredded soap in a double-boiler
and add 3 cups of water. Stir continually on medium heat until melted.
Trouble Signs in Cooking the Soap
- Your mixture does not trace after the time listed in the formula passes. You may have one of the following problems: incorrect temperatures, stirring too slowly, or too much water. Make sure you get all the oil blend and lye out of their containers. Measure water accurately to ensure the correct amount is used, stir mixture smoothly and consistently. The Perfect Blend™ kit should trace within 45 minutes.
- Your mixture suddenly begins to streak. Your temperatures may have been too cold. If your soap still traces then quickly pour into molds.
- Your mixture begins to curdle in the bowl. Synthetic fragrances may cause this.
- Small chunks form in the bowl while mixing. Your oils, lye, or both may have been poured too hot, or you are stirring inconsistently or too slowly. Soap mixture may still trace, but this mixture is unsuitable, leading to poor soap quality. Test soap after un-moulding.
- Your mixture becomes, or is slightly grainy. Temperatures were either too high or too low, or your stirring wasn’t brisk and consistent. Maintaining temperature is very important for soap making. If your soap batch is split up and poured into small moulds after tracing, it may lose temperature to quickly and not completely neutralize.
Trouble Signs in Finished Soap
- Your soap cracks or breaks when un-moulded or when being cut. You may have added too much dry ingredients, or traced your soap batch too long.
- Your soap has a thin layer of white on the surface. Your soap mixture has reacted to the oxygen in the air. This is only an aesthetic problem, refer to Step #7 in the “Soap Making, the cold process method” section to avoid this next time.
- Your soap has hard, shiny chunks of solid lye, the rest of your soap is soft with a slippery liquid on the bottom. Your soap may have been poured into the mold before it had traced, or you stirred too slowly or inconsistently. Do not use these bars, they will irritate the skin.
- You see air bubbles in your soap. You may have stirred too quickly, or for too long.
- Your soap has an excessive amount of white powder on top of the bars, is cakey, or crumbly. Hard water may have been used to dissolve the lye. You should not use these bars, as they may irritate your skin. Be sure to use only distilled water in the future.
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